Free Ebook Hokusai: One Hundred Poets (English and Japanese Edition), by Peter Morse
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Hokusai: One Hundred Poets (English and Japanese Edition), by Peter Morse
Free Ebook Hokusai: One Hundred Poets (English and Japanese Edition), by Peter Morse
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From Publishers Weekly
The last major print series of the celebrated Hokusai (1760-1849), these color "Pictures of 100 Poems by 100 Poets, Explained by the Nurse"sic interpret traditional Japanese waka and tanka poetic forms visually by means of the persona of a "nurse" who functions as a less sophisticated viewer and commentator than the artist himself. The results are spectacular. Whether showing semi-nude women abalone divers struggling with their catch while a male crew of shriveled old salts leers from a nearby boat, or the carefree rapture of a leisurely group of men and women observing cherry blossoms at their peak, Hokusai captures with drama and delicacy sublime and ridiculous states. The artist's simplicity, though deceptive, is also remarkable: he illustrates a poem about a lovers' seaside tryst with a magnificently imposing yet unadorned sailing vessel, its small window offering a coy glimpse of the fortunate couple inside. Each print (as well as 41 black-and-white sketches of projected prints apparently never completed) is accompanied by the poem, in Japanese and English, a biographical note on the poet and by Morse's comments on literary and artistic intention and execution. Morse is a research associate at the Honolulu Academy of Arts. Copyright 1989 Reed Business Information, Inc.
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From Library Journal
These works illustrate two different approaches to the study of an individual artist. Hickman and Sato offer the first major study in English on Jakuchu (1716-1800), a highly individualistic Japanese painter who was master of both monochrome ink on paper and polychrome on silk. The authors are careful to place Jakuchu in historical context; in addition to providing an introduction to painting in Kyoto in the 18th century, they also discuss the known details of Jakuchu's life and work. About half the book, which is a catalog to the first major exhibition of Jakuchu's work in the United States, consists of 97 color plates with extensive commentary. Hickman and Sato have produced a thorough work that should prove valuable for all collections with an interest in Japanese painting. In contrast, Morse concerns himself with only one work of the great Hokusai (1760-1849), saying nothing at all about the master's life or oeuvre other than what is revealed in that work. This was Hokusai's last great series of prints, which he did not live to complete. One Hundred Poets is a teaching anthology of Japanese poetry, completed in 1235 yet still as popular today as in Hokusai's time. The artist planned a print to accompany each poem but completed only 27 prints, although designs for 64 more still exist. Eighty-nine of these are reproduced here, along with the Japanese and English texts of the poems and Morse's insightful commentary on the poet, the poem, and the picture. This specialized work for the scholar or collector deserves a place in academic and special libraries.- Patricia R. Hausman, Coll. of William and Mary Lib., Williamsburg, Va.Copyright 1990 Reed Business Information, Inc.
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Product details
Hardcover: 222 pages
Publisher: George Braziller; 1st edition (August 1, 1989)
Language: English, Japanese
ISBN-10: 0807612138
ISBN-13: 978-0807612132
Product Dimensions:
10.2 x 1.5 x 16.8 inches
Shipping Weight: 4.6 pounds (View shipping rates and policies)
Average Customer Review:
4.8 out of 5 stars
13 customer reviews
Amazon Best Sellers Rank:
#505,602 in Books (See Top 100 in Books)
I read this on my bus commutes... and quickly found it such a treat that I relished each page, found myself feasting over every page as leisurely as I could because I didn't want the book to end.One Hundred Poets is an ancient accumulation of poems (100 poems by 100 poets) done around 1200 in Japan or so; a classic text, that Hokusai began to illustrate. Roughly 1/3 of his illustrations were published, the rest never were, but he did complete the drawing work for the 100 poems.The author has a great grasp on the poems, and delights in tracing how Hokusai's illustrations cleverly take the theme of each poem and carries it off in an unexpected or unusual direction, thus creating a second level of artistry. It's hard to find any book that will give Westerners like myself a glimpse of the particularly Japanese way of looking at these poems and art, but this author clearly gives us a keyhole through which I can peek... one of the best I've read, in that regard.You should know, that when Hokusai drew a picture, that picture got destroyed by the process of carving wood-block plates. So it turns out to be a particular treat to see the roughly half of this book that are Hokusai's original drawings which were NEVER turned into plates. Those drawings, I feel, are far more beautiful than the full-color plates we all know. The variability in thickness of strokes never got captured by the wood-block carvers, and I relished seeing it in these drawings.In short, it was a perfect way to spend half-hour increments of quiet time; reading the poem, mulling over what it might mean, exploring different translations with the writer of this book and thereby getting a deeper understanding of the poem; tracing the elements of the poem that Hokusai picked out for his drawings; appreciating his sense of humor, pun, and fun in how he chose his drawings' subjects; delighting in the balance, artistry, and whimsy of the drawings; simply enjoying the beauty of each two-page spread. I've never encountered a better book about Japanese drawings than this. It's a treasured piece, one of about 50 books I've stumbled across over the years that I truly hold dear.
Hokusai worked on his One Hundred Poets late in his life and because of this, he was not able to complete what clearly is an important work.This excellent edition by Peter Morse and his famous publisher is unique as no one has attempted to publish the complete corpus of One Hundred Poets--until now.Clearly there was an effort made to find the best extant examples of each plate--and the author has succeeded admirably on what must have been an arduous and challenging task. For this, we are grateful.The Reader is best advised to secure a copy now as, in time, copies will become scarce and expensive.
Peter Morse perfectly covers the marriage of two of the greatest arts; of poetry and wood-block prints. Hokusai one of the greatest attempted the illustration of the classic One Hundred Poets. He never achieved the herculean task but Morse's narrative adeptly puts the work in context. If you seek to understand Japan I recommend starting with it's art. A massive coffee table issue you will return to many times.
George Braziller publishes the most beautiful Japanese print books and this book is as excellent as the other Braziller books. The notes on each poem and print are both illuminating and fascinating. I treasure this book.
wonderful juxtaposition of the woodblock prints, their associated texts and the poems with their translations and interpretations
I like the concept and the association of the poems and the illustrations. I wish the paper and printing quality had been done with more care.
This a one of those rare and spectacular books that captures the blending of two forms of media - poetry and art. Highly recommended
The book recipient was pleased being a student of culture and art, and enjoyed the process of the artist revealed in the work
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